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New documentary film about Kansas performer with Down syndrome is a shot of pure joy | Opinion

Disabled people aren’t seen on the screen nearly often enough. “My Name is Annabel” helps change that.
Disabled people aren’t seen on the screen nearly often enough. “My Name is Annabel” helps change that. Facebook/My Name Is Annabel

Strings of lights twinkle above a shoulder-to-shoulder crowd at Barleycorn’s, a bar in Wichita’s Old Town district. The audience has gathered to celebrate the release of a new single, and the room thrums with restless anticipation.

This isn’t just any bar show. For starters, there’s a documentary film crew on hand. The sequence they’re filming is the culmination of “My Name is Annabel,” a 20-minute documentary about Annabel Hernandez, a 30-year-old Wichita performer with Down syndrome.

Kansas audiences had the chance to catch the film for the first time on Saturday at Wichita’s Tallgrass Film Festival and Monday in Lawrence at a special screening sponsored by Free State Festival. My best guess is that those who attended were all glad they did.

“My Name Is Annabel” is a portrait of one woman living with a disability, a status she shares with more than a quarter of her fellow Kansans. But despite their large numbers, disabled people are rarely portrayed on screen.

Given this massive deficit in visibility, you might be forgiven if you’re surprised by the dynamism of Hernandez’s life. She is adored by her family, the owners of Paleteria La Reyna, where she works part time. In fact, the restaurant is named for her childhood nickname, Reyna, the Spanish word for queen.

Hernandez is also a seasoned member of Laughing Feet Performers, a Wichita theater troupe that includes special-needs performers. And Hernandez is not only passionate about music and acting — she’s also hugely charismatic. With her on screen, the film’s 20-minute run time flies by.

“The vibrancy and diversity of people with intellectual disabilities doesn’t get to be seen,” producer Amity Hoffman said. “And when they are, they’re still not in control of their story.”

At the beginning of the film, Hernandez is asked what kind of movie she might want to make.

“I was thinking: all my family and friends. And music, too,” she says.

It’s an accurate summary of “My Name is Annabel.” Part of the movie follows a traditional slice-of-life format: Hernandez goes to work, to her day program, to auditions. In other scenes, she interviews her friends and family, who sometimes turn the questions back on her.

Hernandez drove every aspect of the film, said Hoffman, who is herself a native Kansan.

“We weren’t really clear what shape it was going to take from the beginning,” she said. “We ran everything past (Annabel) in Zoom meetings before filming started.”

That’s how they learned that Hernandez has long wanted to star in a movie about herself, and that she had already been interviewing her friends and family. They also worked out the final scene together: Producer Lauren Coleman co-wrote a song with Hernandez, who was tutored before the performance by DJ Carbon, a stalwart of the Wichita entertainment scene.

‘The best theater as far as I’m concerned’

The seed for “My Name is Annabel” began with Hoffman’s first documentary, “The Best Show in Town,” about a Florida troupe of actors with disabilities.

“It’s the best theater as far as I’m concerned,” she said. “My first love is theater, but I had kind of fallen out of love with it. And then I saw these actors perform, and I just wanted everyone to know about it.”

Hoffman teamed up with director Ida Jogler (“Kili Big”) and Coleman (“How to Throw Your Own Goodbye Party”) after the three women met at a film festival. Their intention is to make a feature-length documentary that follows four members of Wichita’s Laughing Feet Performers. “My Name is Annabel” serves as a proof of concept for the eventual longer production they want to bring into the world.

Audiences who are unable to catch “My Name is Annabel” at festivals or special screenings will eventually be able to view it through Latino Public Broadcasting, the film’s primary funder.

But the filmmakers deserve the opportunity to extend their vision for another 75 minutes or so. And audiences need to see more stories like this one. There are so many others to tell.

The filmmakers celebrated with Hernandez at the Tallgrass Film Festival this weekend. This was the first public screening Annabel and her family were able to attend.

“I want her to have that moment, and I want her friends to have that moment,” Hoffman said.

Emily Christensen is a journalist based in Wichita who writes about arts and culture. Learn more about “My Name is Annabel” at presentingannabel.com
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