Cyndi Lauper on her Nashville ‘Detour’ collaboration: ‘It was extraordinary’
When Cyndi Lauper burst onto the music scene with her 1983 debut album “She’s So Unusual,” everything about her image found Lauper living up to the album title, from her quirky speaking voice and eccentric thrift store wardrobe to the fiercely independent mindset that showed itself in pop songs about feminist empowerment and female masturbation.
So more than three decades later, it might seem a bit unusual for her to be seemingly conforming by delving into country music.
But for the 64-year-old singer-songwriter with a four-octave vocal range, putting out “Detour” in 2016 wasn’t really a stretch.
Especially given the fact that she heard much of that music as a kid, either on her Aunt Gracie’s black-and-white transistor radio or while spending time with her ‘Nana’ watching Patsy Cline sing on “Arthur Godfrey’s Talent Scouts” television show.
Lauper comes to Sprint Center Tuesday as a special guest of pop icon Rod Stewart.
“I always wanted to sing a country record. I learned a lot about singing from listening to Patsy Cline, Jerry Lee Lewis, Elvis Presley, Johnny Burnette and all those rockabilly guys along with Wanda Jackson, who was the first rocker,” Lauper explained. “When I met John Turi (of Blue Angel), he started playing me all these (early rock & rollers) people. At the time, this music I sang was right around when country and blues kind of walked hand-in-hand.”
Lauper’s interest in that time period found her exploring the blues side of the coin when she released 2010’s Grammy-nominated “Memphis Blues,” a collection of songs on which she did duets with the likes of B.B. King, Ann Peebles, Charlie Musselwhite and Allen Toussaint, while digging into the catalogs of Little Walter, Albert King and Muddy Waters.
It was with this in mind that Sire Records founder Seymour Stein approached Lauper about coming to Nashville to record material predominantly drawn from that 1950s-60s.
With Stein providing a list of suggested songs and an introduction to storied Music Row producer Tony Brown, Lauper fell in love with the process and the locale of her latest project.
“Just like with the blues album, there are tons of blues songs I wanted to do along with tons of country songs,” she said. “I wouldn’t have sung ‘Girls Just Want to Have Fun’ or even ‘She Bop’ had I not listened to country singers like Hank Williams, Loretta Lynn and Dolly Parton. But Dolly is a different character. There’s something about her that you just love her, and if you don’t, there’s really something wrong with you.
“It was a great honor to go down to Nashville and make music inside of Nashville,” she said. “I love the fact that they still have honky-tonks and places where people can sing.”
Having narrowed her selections down to classics recorded by iconic artists like Cline (“I Fall to Pieces”), Jackson (“Funnel of Love”) and Marty Robbins (“Begging to You”), Lauper also was joined by an array of famous names helping out with the in-studio heavy lifting, including Willie Nelson, Alison Krauss, Vince Gill, Jewel and Emmylou Harris.
Highlights abound whether it’s Lauper and Jewel mastering the Texas swing of Patsy Montana’s seminal “I Want To Be a Cowboy’s Sweetheart,” complete with the latter’s robust yodeling, or Harris lending some crystalline harmonies to the bouncy title cut.
And while Gill’s extraordinary guitar work is all over “Detour,” he plays Conway Twitty to Lauper’s Loretta Lynn on a lively reading of “You’re the Reason Our Kids Are Ugly.” Equally notable are Nelson’s contributions to a laid-back version of his “Night Life.”
As much a fan as she is a performer, Lauper, not surprisingly, was thrilled by everyone who showed up at the studio.
“I’m a big, huge fan of all these people. For me, it was a great experience to go down there and have all those people play on my record. It was extraordinary.”
Tuesday
Rod Stewart with special guest Cyndi Lauper. 7:30 p.m. Sprint Center. 816-949-7100. $35-$199.50 through sprintcenter.com.