It’s a crime to waste Reese Witherspoon. You know what’s worse? To waste Reese Witherspoon AND Candice Bergen.
That lovely bit of casting alone — Witherspoon and Bergen as daughter and mom — should have been enough to lift “Home Again,” a debut from writer/director Hallie Meyers-Shyer, into at least the ranks of fairly entertaining, harmless guilty-pleasure rom-coms.
Instead, one is left marveling at how disappointingly inept it feels, from plot developments so obvious you see them coming 40 minutes ahead, to the gooey, lingering close-ups of characters laughing happily. What are they laughing about? Maybe there were lots of great private jokes flying around the set, because there aren’t a lot of great ones in the script, save a few choice barbs from Bergen and a very well-timed “Hamilton” joke.
Witherspoon is Alice, a recently separated mother of two who has returned to Los Angeles from New York, escaping a difficult marriage to a scruffily charming music mogul (Michael Sheen). Luckily, she can move right into her childhood home — her huge, beautiful childhood home, with linens so soft they’re a topic of conversation, and a sizable guest house.
Which is where the three guys come in. That would be Harry (Pico Alexander), his brother Teddy (Nat Wolff) and friend George (Jon Rudnitsky). They’re budding 20-something filmmakers trying to get their movie produced, and they’re a bit down on their luck.
Alice, we learn, is the daughter of a late, well-known filmmaker. Mom Lilian (Bergen) was an actress. Dad didn’t always treat her well, but Lilian has a great explanation for why she hasn’t fussed: “He’s gone now, so I won.”
Would that Alice had her mother’s sang-froid. We begin on her 40th birthday, and she’s weeping into the mirror. Then she goes out and celebrates at a bar, where she and her tipsy friends meet Harry, Teddy and George. Drinking leads to dancing, to more drinks at Alice’s home, to an aborted sexual encounter between Alice and Harry — aborted because Harry’s throwing up.
You’d think Alice would wake up, do the laundry (which she does) and realize Harry isn’t much of a catch. But soon all three guys have moved into the guest bungalow. And Alice starts sleeping with Harry.
The problem is that Harry is just so boring. We all want Alice to have fun; it’s not his age that grates. It’s his emptiness.
And then ex-husband Austen shows up. That’s Austen-with-an-E, not Austin-with-an-I. And he says, “Let’s fix this.” Alice has to make a decision.
Meanwhile, there’s a very important school play. And this is what we mean by obvious developments, because in any rom-com with a school play, you can bet that someone isn’t going to make it in time, and there are going to be shots of empty seats and anxious young faces. And yes, this is what happens.
We won’t tell you how it turns out. We CAN divulge that there will be more lingering close-ups of people laughing. Again, what are they laughing about? If you can figure it out, let us know.
Rated PG-13 for some thematic and sexual material.