Terrific comic performances by Kenna Hall, Melissa Fennewald and Ellen Kirk enliven the bare-bones acerbic farce “(Virgin.),” about a girl’s journey from childhood to adolescence. Meanwhile, “Girl on Girl” showcases the work of three local African-American playwrights, “Dueling Doulas” by Cynthia Hardeman, “To Bed” by Teresa Leggard and “Riding Backwards” by Michelle T. Johnson.
A capable director and a strong cast dive into “A Hard Day’s Night,” Vicky Vodrey’s new hit-and-miss dramedy about a wacky family with quirky obsessions. Meanwhile, British actor and playwright Nicholas Collett brings “Spitfire Solo,” a classy one-man show about a former Royal Air Force pilot in the Battle of Britain, to the Metropolitan Ensemble Theatre.
Ready or not, KC Fringe is back. The annual polyglot of actors, dancers, strippers, comedians, jugglers, ranters, poets, playwrights, storytellers, musicians, filmmakers, visual artists and performers who defy easy classification will, for the next 11 days, dominate venues in downtown, midtown and the Crossroads district.
The 2013 edition of the KC Fringe, the annual festival of performances and visual art exhibits that wraps up today, offered shows that plunged us into the here and now and revisited the past with humor and probing drama.
Updated July 22: This man is wanted on a Kansas City, Missouri police department warrant for resisting arrest. If you have information about any of these fugitives, call the TIPS Hotline at 816-474-TIPS (816-474-8477), go to KCCrimeStoppers.com, or text TIP452 plus message and send to 274637. All calls are anonymous.
In its opening weekend, the 2013 editiion of the KC Fringe Festival, the annual summer arts festival, offered performances that were deverse and variable in quality. Here’s a sampling of what The Star's theater critic, Robert Trussell, saw.
The KC Fringe Festival gears up for another week and a half of alternative theater, music, dance and visual art in venues ranging from the the Crossroads to midtown. It’s a chance for artists to get in touch with their dark sides or anarchic impulses.
Central Standard Theatre founder Bob Paisley will present five plays at this summer’s KC Fringe festival, including performances by artists from California and Adelaide, Australia. The KC Fringe offerings, Paisley said, will be like “the British Invasion but with better weather.”
Funny thing about KC Fringe — even when it’s over, it’s not over. The annual festival of music, dance, theater, film and visual art in venues scattered across the Crossroads and midtown officially wrapped up Sunday. But the ripple effects continue.
Let’s face it: Katie Gilchrist is a rock star. She certainly carries herself like one, and by putting the cap on Ry Kincaid’s “Pilgrimage” with a soulful anthem, she closed his ambitious show with a bang.
David Gaines is an exceptionally skilled clown who creates vivid images on stage with nothing more than his own body, a couple of masks and vocalized sound effects and faux dialogue. His show, “7 (x1) Samurai” is a both a celebration and a spoof of the classic Akira Kurosawa film “The Seven Samurai.”
Oh, those crafty Nazis. In 1940, designers and fabricators at a factory in Dresden set to work making inflatable sex dolls for the troops because fine young specimens of German manhood were falling prey to the ravages of syphilis via Parisian prostitutes.
There’s something highly amusing about seeing somebody get hit on the head with a frying pan. That particular brand of comic violence is central to Pete Bakely’s “Skillet Tag,” which satirizes the global economy between outrageous acts of onstage violence.
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