The KC Fringe Festival, July 21-31, features dance, film, spoken word and theater artists — many local emerging talents testing their new works. Executive producer Cheryl Kimmi calls it a “ripple effect” in terms of popularity but says 11 days is the perfect length.
The 12th Annual KC Fringe Festival, which begins July 21, offers an exciting melange of cutting-edge entertainment that should appeal to adventurous classical fans. Think “absurdist Cabaret Rock-Opera.”
The recent KC Fringe Festival and the Invasion theater festival provided examples of playwrights who appeal directly to the emotions and others who seek to engage the intellect. Some can do both. But neither approach is easy.
“Bond: A Soldier and His Dog” is the autobiographical account of Black’s service in the Iraq War with a remarkable yellow lab named Diego. They were comrades who kept each other alive and remain together today.
Eugene O’Neill’s “The Hairy Ape” receives an exciting, streamlined production that immerses the audience in a nonrealistic world that could be in a previous century or this very moment. Scott Cox delivers a singular performance in the production, part of the 2015 KC Fringe Festival.
The annual KC Fringe Festival will wrap up Sunday with its “best of” performances at each venue; in the meantime, prospective festivalgoers will have a chance to see a range of performances. The Invasion, meanwhile, showcases artists from the U.K. and the U.S. in unique solo and two-character plays through Sunday.
“The Penis Monologues,” “Lovesick” and “Best Light” are among the offerings at this year’s KC Fringe Festival. One is a comedy, another a drama and the third a meditation on human sexuality drawn from a range of sources.
Director Heidi Van delivers a show performed and largely written by a talented young cast about relationships, love and sex in the age of texting and online dating. “Love Me Tinder” is part of the annual KC Fringe Festival.
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