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Despite releasing new — and very good — material, Snoop Dogg was more than happy to trade on his old numbers Friday at VooDoo Lounge. Asking the sold-out crowd who came to hear the “classic stuff,” he beamed when the audience erupted in screams.
Snoop opened his 80-minute set with “The Next Episode.” The five-piece backing band added muscle and intensity to Dr. Dre’s nimble arrangements. That was followed by the hits “P.I.M.P.,” originally recorded with 50 Cent in 2003, and 1993’s breakthrough “Gin and Juice.”
Snoop was so enamored with his early ’90s, Death Row heyday he brought out Lady of Rage to deliver her part on “Afro-Puffs,” a song from “Doggystyle,” Snoop’s debut album. Rage has been M.I.A. for better than a decade, but everyone sang along to her hit. Snoop was all smiles, slinking around the stage and working the crowd as Rage took the spotlight.
The Death Row glory days connection was reinforced when Snoop paid tribute to Tupac Shakur with a performance of “Hail Mary.”
There were some concessions to newer material. “Riding in My Chevy” was well received, but the magnificent “Drop It Like It’s Hot” was tethered to a cover of House of Pain’s 1992 hit “Jump Around.” Also a mystery is why Snoop chose to ignore his upcoming album except for a quick plug at the end of the set.
At any rate, “Hot” was the finest musical moment of the night. The band fleshed out the bare-bones album arrangement, adding bigger bass. The performance gradually built in intensity until both the band and crowd were flat-out rocking.
The biggest problem with Snoop’s set was his over-reliance on backup MCs Kurupt and Daz Dillinger. Their solo turns took time away from other songs Snoop could have performed.
A medley of “Deep Cover,” “Nuthin’ But A ‘G’ Thang” and “B--- Please” went off like a flash pot. A delirious crowd devoured every beat, recited every syllable and danced furiously. It was the hip-hop equivalent of “Jump” or even “Jumpin’ Jack Flash.” Snoop closed with another crowd-pleaser: “Who Am I? (What’s My Name?)”
Openers Method Man and Redman delivered Wu-Tang Clan favorites, solo cuts like “Bring the Pain” and “You’re All I Need To Get By,” and an obligatory tribute to deceased Wu-Tang member Ol’ Dirty Bastard.
@Nyx.CommentBody@