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Danny Glover is president.
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Now we know how the world ends — with a whimper, a very loud whimper.
That’s the conundrum of “2012”: We’re so bored by the human characters we end up rooting for the apocalypse.
Director Roland Emmerich, who has made a career of putting Earth in jeopardy (“Independence Day,” “Godzilla,” “The Day After Tomorrow”), pretty much cooks the globe in this tale of planetary surprise and cataclysmic upheaval.
But it sure takes him a while to get there. The first hour of “2012” is devoted to introducing characters we don’t care about in clichéd situations.
Failed sci-fi writer Jackson Curtis (John Cusack) takes a vacation with his kids (Morgan Lily, Liam James), who are living with his ex-wife, Kate (Amanda Peet), and her new boyfriend, Gordon (Tom McCarthy), a plastic surgeon as responsible as Jackson is unreliable.
Meanwhile, government scientist Adrian (Chiwetel Ejiofor) zips around the world trying to get a handle on weird and disturbing developments: disruptive sun flares, bombardment of Earth by radioactive neutrinos, the overheating of our planet’s core.
The world’s crust is destabilizing. It begins with little tremors and fissures. These escalate into volcanic eruptions, devastating earthquakes and massive tidal waves that roar hundreds of miles over the continents.
Seems that the ancient Mayan prediction that the Earth would end in 2012 was right. A super-secret government project headed by a powerful bureaucrat (Oliver Platt) has been working on a plan to save at least a fraction of mankind by building in the Himalayas gigantic “arks” and quietly selling berths to the filthy rich for $1 billion each. (Déjà vu? It’s almost exactly the same plot as in 1951’s “When Worlds Collide.”)
As the end nears, the president (Danny Glover, because Morgan Freeman must have been busy) begins to regret the ruse that has kept most of the Earth’s citizens (including his daughter, Laura, played by Thandie Newton) in the dark. He appeals to humanity’s higher conscience in an attempt to get more people on the arks.
So with everything coming down around them, Jackson, Kate, their kids and Gordon head for the Himalayas and a rendezvous with humanity’s life rafts.
If you can believe a fairly average family manages to travel halfway around the globe, then you’ll also buy that right up to the very end of the world, cell-phone service will be uninterrupted. No matter where they are, no matter what Armageddon is under way, the characters in this movie can always get a clear signal.
As drama, “2012” is pure flapdoodle. As escapist entertainment it’s a hoot. Emmerich isn’t trying to scare us so much as dazzle us.
He tosses in humorous bits (Woody Harrelson is probably still picking scenery out of his teeth after his turn as the hairy, crazed host of a conspiracy-themed radio show). He observes all the death and destruction from afar. We don’t see any real suffering … we assume a godlike perspective from which panicked humanity is nothing more than so many millions of insects running around impotently while Mother Nature stomps on their anthill.
“2012” is exactly the movie you think it’s going to be. No surprises. Still, it’s amusing in a sort of nihilistic way. But with a running time over 2 1/2 hours, it takes way too long to get the job done.
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