$1 million in jewelry stolen near Cannes film fest

Thieves ripped a safe from the wall of a hotel room near the Cannes Film Festival and made off with around $1 million worth of jewelry, in a brazen late-night burglary just hours after the screening of a film about break-ins at the homes of Hollywood celebrities, French officials said Friday.

'Frances Ha' is charming portrait of youth, spirit

Effortless and effervescent, "Frances Ha" is a small miracle of a movie, honest and funny with an aim that's true. It's both a timeless story of the joys and sorrows of youth and a dead-on portrait of how things are right now for one particular New York woman who, try as she might, can't quite get her life together.

A killer of a movie

The protagonist of "Simon Killer" wanders the streets of Paris alone, often shot from the back so we see what he sees, the City of Lights never having looked this seedy and dangerous and menacing. Simon (Brady Corbet) has just graduated from college and broken up with his longtime girlfriend, so he decides to take a European vacation and clear his head. France is his first stop. He'll stay there a lot longer than he anticipated.

Michael Shannon finds stardom in lost souls

MINNEAPOLIS - Michael Shannon has quietly become one of the most interesting and original actors of his era. Climbing a ladder of indie gems, he's established himself as the natural heir to Christopher Walken, but with a jolt of broad-shouldered menace. He can take your head off in roles as diverse as Ashley Judd's deranged lover in "Bug" or glam-rock enfant terrible Kim Fowley in "The Runaways."

Sarah Polley reveals her family's intimate history in 'Stories We Tell'

ORLANDO, Fla. - Few personal documentaries can boast of the sort of notices the Canadian actress / director Sarah Polley has earned for her film "Stories We Tell." This dissection of her family history - her actor father, the actress / casting director mother who died when Sarah was 11, the secret that they kept from her - plays like "a mystery uncovered like a detective story, wrapped in a love letter," raves The New York Daily News, a film informed by Polley's own "deep sense of personal ethics." (New York Times).

'What Maisie Knew' gives a child's eye view of divorce

It is night in an upscale Manhattan apartment. A child, tucked safely into bed, drifts toward sleep to the sounds of her parents tearing each other apart in the next room. Her eyes close, the fighting rumbles on, their words wielded with lethal precision at each other's most vulnerable spots.

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