
Hot off the press: Seen and heard in Cannes
Associated Press journalists open their notebooks at the 2013 Cannes Film Festival:
Saturday, May 18, 2013

Associated Press journalists open their notebooks at the 2013 Cannes Film Festival:

It took an international production starring a Puerto Rican and a Frenchman to bring the Native American tale "Jimmy P.: Psychotherapy of a Plains Indian" to the big screen.

The magic and glamour of Cannes can be hard to spot on a day when rain is lashing the palm trees, roiling the gray Mediterranean and pooling in puddles along the Croisette.

Thieves ripped a safe from the wall of a hotel room near the Cannes Film Festival and made off with around $1 million worth of jewelry, in a brazen late-night burglary just hours after the screening of a film about break-ins at the homes of Hollywood celebrities, French officials said Friday.
IRWINDALE, Calif. - A loud screeching sound echoed across the oval racetrack as a driver burned rubber, revving the engine of a silver Mercedes-Benz and spinning the vehicle a full 360 degrees while kicking up a cloud of dust and smoke.

Associated Press journalists open their notebooks at the 2013 Cannes Film Festival:

Two directors from countries with tough film censorship brought bold and probing movies to the Cannes Film Festival on Friday - one exploring China's social problems, the other delving into the mysteries of the human heart.
Effortless and effervescent, "Frances Ha" is a small miracle of a movie, honest and funny with an aim that's true. It's both a timeless story of the joys and sorrows of youth and a dead-on portrait of how things are right now for one particular New York woman who, try as she might, can't quite get her life together.
The protagonist of "Simon Killer" wanders the streets of Paris alone, often shot from the back so we see what he sees, the City of Lights never having looked this seedy and dangerous and menacing. Simon (Brady Corbet) has just graduated from college and broken up with his longtime girlfriend, so he decides to take a European vacation and clear his head. France is his first stop. He'll stay there a lot longer than he anticipated.
MINNEAPOLIS - Michael Shannon has quietly become one of the most interesting and original actors of his era. Climbing a ladder of indie gems, he's established himself as the natural heir to Christopher Walken, but with a jolt of broad-shouldered menace. He can take your head off in roles as diverse as Ashley Judd's deranged lover in "Bug" or glam-rock enfant terrible Kim Fowley in "The Runaways."
Regard the hands of Ricky Jay. Watch them making cards do things cards never have done before, things cards didn't even know they could do. And for this master of manipulation, cards are just the beginning.
A live outdoor television broadcast from the Cannes Film Festival was briefly interrupted Friday when what sounded like gunshots sent crew and spectators scurrying for cover.
Everywhere in the culture, there's another monologuist or filmmaker placing herself at the center of a question, or a series of questions: What's up with my family? How did I get here? How can one charismatic family member hold so many secrets?
ORLANDO, Fla. - Few personal documentaries can boast of the sort of notices the Canadian actress / director Sarah Polley has earned for her film "Stories We Tell." This dissection of her family history - her actor father, the actress / casting director mother who died when Sarah was 11, the secret that they kept from her - plays like "a mystery uncovered like a detective story, wrapped in a love letter," raves The New York Daily News, a film informed by Polley's own "deep sense of personal ethics." (New York Times).
It is night in an upscale Manhattan apartment. A child, tucked safely into bed, drifts toward sleep to the sounds of her parents tearing each other apart in the next room. Her eyes close, the fighting rumbles on, their words wielded with lethal precision at each other's most vulnerable spots.
An incident apparently involving a gun briefly interrupted a French television interview with actors Christoph Waltz and Daniel Auteuil at the Cannes Film Festival on Friday and sent nearby pedestrians scurrying for safety.

Before "Fruitvale Station," Michael B. Jordan was glimpsed sporadically in supporting roles on TV shows like "The Wire" and "Friday Night Lights," and in films like "Chronicle" and "Red Tails."
Everywhere in the culture, there's another monologuist or filmmaker placing herself at the center of a question, or a series of questions: What's up with my family? How did I get here? How can one charismatic family member hold so many secrets?

Before "Fruitvale Station," Michael B. Jordan was glimpsed sporadically in supporting roles on TV shows like "The Wire" and "Friday Night Lights," and in films like "Chronicle" and "Red Tails."
"The English Teacher" is a tragedy masquerading as a comedy and doing a disservice to both. The same could be said for the film's normally fine cast. Julianne Moore, Greg Kinnear, Nathan Lane and Michael Angarano have all had better days.