Concert review

Train, Michael Franti keep put on a spirited communal show at Starlight

Updated: 2013-07-22T00:17:06Z

By TIMOTHY FINN

The Kansas City Star

Train will celebrate its 20th anniversary next year, and based on Saturday night’s performance at Starlight Theatre, it appears the band isn’t going away any time soon.

More than 6,000 fans showed up Saturday, and they got their money’s worth: an evening filled with familiar songs and a warm, communal spirit.

It all started with the opener, Michael Franti and Spearhead, who spent an hour splashing sunny, hippie vibes all around the amphitheater. Few performers can rouse a crowd into a sing-along/dance-along mood as quickly and effortlessly as Franti does.

He declared Starlight “the most beautiful amphitheater in America,” then spent much of his set exploring it. He sang from the back rows, the middle rows and the side aisles. During one number, he coaxed a guy into skipping along with him across the venue and back. It was all very genuine and engaging.

Their set list included “I Don’t Wanna Go,” “Life Is Better With You,” “All Night Long Ain’t Long Enough” and “Say Hey,” which included a chorus of about 80 children pulled from the crowd.

Franti is no easy act to follow, but this was Train’s crowd, and it kept the mood kindled for most of its 90-minute set.

The band opened with “Calling All Angels,” an easy-listening ballad that bridges the gap between Toad the Wet Sprocket and Coldplay. Train has plenty of those darts in its quiver, and it fired off most of them: “Meet Virginia,” “Drops of Jupiter,” “Hey, Soul Sister” and “Bruises,” from the band’s latest album, “California 37.”

On that one, lead singer Pat Monahan was joined by country singer Ashley Monroe, his duet partner on the recorded version. She then performed the honky-tonker “Weed Instead of Roses,” a track off her excellent “Like a Rose” album.

Train can mix it up, too, and deliver some uptempo numbers with rock and horn-fed funk in their bones, like “Drive By,” which is catchy in a Sugar Ray way, “50 Ways to Say Goodbye” and the joyous tribute to the band’s hometown, “Save Me, San Francisco.”

The group appended “Free” with bits of two Beatles songs, “We Can Work It Out” and “All You Need Is Love,” both of which started some hearty singing-along.

Monahan worked the big crowd, too. He spent most of “Marry Me” trotting around the theater, dispensing quick hugs and high-fives. During “Mermaid,” the stage was again filled with young girls, but this time they were dressed in mermaid-ish costumes. Monahan gave the tiniest one a spot upfront and center and a few moments to commandeer the microphone.

They closed with “The Weight,” the Band song that is on the verge of becoming the most-covered song in rock history. Monroe and Franti emerged from backstage and joined in, sharing lead vocals with Monahan. As it had throughout the show, most of the big crowd joined in, too. It was that kind of night, start to finish.

To reach Timothy Finn, call 816-234-4781 or send email to tfinn@kcstar.com. Follow him at Twitter.com/phinnagain. Read more from him at our music blog, Back to Rockville, at KansasCity.com.

Deal Saver Subscribe today!

Comments

The Kansas City Star is pleased to provide this opportunity to share information, experiences and observations about what's in the news. Some of the comments may be reprinted elsewhere on the site or in the newspaper. We encourage lively, open debate on the issues of the day, and ask that you refrain from profanity, hate speech, personal comments and remarks that are off point. Thank you for taking the time to offer your thoughts.

The Kansas City Star uses Facebook's commenting system. You need to log in with a Facebook account in order to comment. If you have questions about commenting with your Facebook account, click here