Marvel Comics fans relish a shared universe where all the superheroes and villains populate the same world. Chance meet-ups make great fun.
By JON NICCUM
Special to The Star
But in The Avengers, one of the slickest and most satisfying comic book adaptations, the shared universe suggests more dire meanings.
Nick Fury (Samuel L. Jackson) and his covert agency SHIELD have discovered a brick-sized device called the Tesseract. Unsure of its origins, they believe it can harness energy from space into an unlimited power source.
Loki (a superb Tom Hiddleston) has other plans. The Asgardian god of lies and mischief wants to use it as a dimensional portal to lead an alien invasion of Earth, mainly as a way to exact revenge on his hated brother, Thor (Chris Hemsworth).
So Fury invokes the Avengers Initiative, recruiting Thor, Iron Man (Robert Downey Jr.), the Hulk (Mark Ruffalo) and Captain America (Chris Evans) to join agents Black Widow (Scarlett Johansson) and Hawkeye (Jeremy Renner) as Earths last line of defense.
They represent quite a collection of damaged individuals: assassins trying to outrun their murderous pasts; a Jekyll and Hyde-type scientist; a soldier transplanted from another century; a demi-god adrift in a mortal world; a selfish, spoiled playboy who doesnt play well with others.
What makes this anticipated film so absorbing is how the heroes internal battles are often more pronounced than their external ones. And when these troubled people interact, its electric. The dialogue absolutely crackles, whether its Downeys throwaway insults (he nicknames the muscular, long-haired Thor Point Break) or Hiddlestons iambic arrogance (told that humans have no quarrel with him, he responds, an ant has no quarrel with a boot).
Writer/director Joss Whedon (creator of Buffy the Vampire Slayer, who co-wrote the story with X2 scribe Zak Penn) proves equally gifted at orchestrating adventure. An early brawl featuring the cat-suited combat virtuoso Black Widow dispatching Soviet thugs is spectacular. But its an extended sabotage/takeover scene aboard the SHIELD heli-carrier a remarkably designed composite of aircraft carrier and helicopter that is the movies showstopping centerpiece.
No viewer will question why this movie cost a reported $220 million.
What prevents The Avengers from being considered the greatest superhero movie of all time? Mainly, the third act.
While the heli-carrier skirmish is a masterpiece of tight action filmmaking, the finale offers more of a lets throw everything at the screen approach. Sure, its well-orchestrated chaos, but this is yet another contemporary blockbuster where hordes of computer-generated aliens bushwhack a U.S. metropolis while the heroes attempt to deflect the onslaught.
Its hard to make cutaways of scampering citizens trying to dodge falling chunks of debris all that interesting.
Although Whedon found ways to deftly connect each Avengers powers and personality with the others, the finale confirms he couldnt solve the fundamental problem to plague comic book writers of all-star teams: Its tough to find villains mighty enough to pose a threat. That usually means introducing an anonymous alien race to be used as cosmic punching bags.
And as Captain America proves during an early scene in The Avengers, it takes a whole lot of punching bags for superheroes to work up a sweat.
What others are saying
• Michael Phillips, Chicago Tribune: If the film is more solid and satisfying than terrific, so be it. Cleverly, writer/director Joss Whedon combines and recombines its various intramural rivalries.
• Karina Longworth, Village Voice: Every time the movie hints at something rich and evocative, Whedon undercuts it with a punchline his instincts as a big-picture storyteller crippled by his short-term need to please the crowd.
• Christy Lemire, The Associated Press: Whedon keeps a tight rein on some potentially unwieldy material, and the result is a film that simultaneously should please purists (one of which he is) as well as those who arent necessarily comic-book aficionados. He also stays true to the characters while establishing a tone thats very much his own.
• Andrew OHehir, Salon: In trying to cram in enough plot and backstory and increasingly incoherent action sequences for at least three summer movies, Whedon never finds a confident or relaxed narrative pace, and the results are exhausting, a picture that pushes three hours and feels like five.
• Peter Travers, Rolling Stone: I have one word for The Avengers: Wowza!
The absolute true story of The Avengers
Who is an Avenger? Nearly every hero (and a villain or two) in the Marvel Universe has at one time been a member of the Avengers.
The first Avengers: Iron Man, Hulk and Thor banded together with the Wasp (really small, grows wings, shoots energy blasts from her hands) and Ant-Man (really small, talks to ants) to fight demigod Loki in the 1963 comic book The Avengers. In the second issue, Ant-Man figured out how to grow really big and became Giant-Man. Hulk quit because he thought nobody liked him. Captain America joined soon thereafter.
This sounds nothing like the movie: The Marvel movies are more closely based on the publishers Ultimate Marvel stories, a re-imagining of their heroes as if they were created in the present day. This group features super-spy Nick Fury recruiting the team featured in the film, plus Giant-Man and the Wasp.
Recommended reading: The Ultimates and The Ultimates 2 by Mark Millar and Bryan Hitch. Both are intended for mature readers.
Who should be in the next movie? Fans were bummed this film didnt have the Wasp and Ant-Man/Giant-Man. Next on fans lists might be the reality altering Scarlet Witch and the superfast Quicksilver.
| David Frese, firstname.lastname@example.org